Arnold Wesker The Kitchen Pdf Creator

 

  1. Arnold Wesker's The Kitchen Pdf Creator
  2. Arnold Wesker The Kitchen Pdf Creator Online
  3. Arnold Wesker Batman
  1. R. Inglehart, Culture Shift in Advanced Industrial Society (Princeton, NJ, 1990), p.335;Google Scholar
  2. also M. Veldman, Fantasy, the Bomb and Greening of Britain, 1945–80 (Cambridge, 1994).Google Scholar
  3. F. Coppieters, ‘Arnold Wesker’s Centre Fortytwo: a cultural revolution betrayed’, Theatre Quarterly 5:18 (1975), p.51;Google Scholar
  4. A. Marwick, The Sixties (Oxford, 1998), p.343.Google Scholar
  5. D.A.N. Jones, ‘Politics in the Theatre’, Times Literary Supplement (22 July 1967); D. Thomas, D. Carlton, A. Etienne, Theatre Censorship: From Walpole to Wilson (Oxford, 2007).CrossRefGoogle Scholar
  6. A. Davies, Other Theatres: The Development of Alternative and Experimental Theatre in Britain (Basingstoke, 1987);CrossRefGoogle Scholar
  7. C. Itzin, Stages in the Revolution: Political Theatre in Britain Since 1968 (London, 1979);Google Scholar
  8. D. Shellard, British Theatre Since the War (New Haven, CT, 2000), ch.4.Google Scholar
  9. Carl Foreman (Open Road films) to Wesker (19 November 1963), AW 134/3; A. Wesker, Fears of Fragmentation (London, 1970), pp.103–104; Wesker to Goodman (11 October 1965), AW 144/11.Google Scholar
  10. Founding Meeting, CO100 AW, 119/1; Wesker to John Papworth (22 February 1962), AW 119/2; A. Wesker, As Much as I Dare (London, 1995), pp.610, 619; Daily Express (16 September 1961).Google Scholar
  11. Jeremy Hawthorne, ‘Wesker: The Last Season?’, Mainstream (October 1965); Wesker’s riposte, Daily Worker (3 February 1966); A. Wesker, ‘Aie Cuba! Aie Cuba!’ in The New Man in Cuba (British-Cuba Association, Nov. 1969), pp.15, 21; Levin, Daily Mail (25 March 1970);Google Scholar
  12. R. Williams (ed.), May Day Manifesto 1968 (Harmondsworth, 1968), pp.9–10.Google Scholar
  13. Sunday Times (28 December 1969); M. Page, ‘Whatever happened to Arnold Wesker?’, Modern Drama 11 (1968); M. Patterson, Strategies of Political Theatre: Post-war British Playwrights (Cambridge, 2003), ch.2.CrossRefGoogle Scholar
  14. ‘Experts prepare for an age of culture’, Sunday Times (25 November 1962); S. Hall, P. Whannel, The Popular Arts (London, 1964), p.379; The Warning Voice, Mark Abrams papers Box 70, File ‘Leisure 1956–67 2/2’;Google Scholar
  15. N. Shrapnel, ‘Parsimony and Puritanism’, in A New Britain (Guardian, 1963), pp.61–66.Google Scholar
  16. Labour Party Annual Conference Report (1963), p.135; DEA, NA EW23/50; Society of Industrial Artists and Designers, ACGB papers (ACGB) 62/76; A Policy for the Arts: The First Steps (Cmnd. 2601, 1965), paras. 66, 71; I.P. Henry, The Politics of Leisure Policy (Basingstoke, 2001), pp.19–22.Google Scholar
  17. L. Chun, The British New Left (Edinburgh, 1993), pp.60–64;Google Scholar
  18. M. Rustin, ‘The New Left as a social movement’, in Oxford University Socialist Discussion Group (eds), Out of Apathy (London, 1989), pp.121–127;Google Scholar
  19. D. Dworkin Cultural Marxism (Durham, NC, 1997).Google Scholar
  20. J. Green, All Dressed Up (London, 1998), pp.239–244; Williams, May Day Manifesto;Google Scholar
  21. L. Black, ‘Arts and crafts: social democracy’s cultural resources and repertoire in 1960s’ Britain’, in I. Favretto, J. Callaghan (eds), Transitions in Social Democracy (Manchester, 2007).Google Scholar
  22. B. Conekin, The Autobiography of a Nation: The 1951 Festival of Britain (Manchester, 2003).Google Scholar
  23. C. Gray, The Politics of the Arts (Basingstoke, 2000), pp.47–51;Google Scholar
  24. Martin Priestman, ‘A Critical Stage: Drama in the 1960s’, in Bart Moore-Gilbert, John Seed (eds), Cultural Revolution? The Challenge of the Arts in the 1960s (London, 1992), p.122.Google Scholar
  25. Goodman in Geoff Mulgan, ‘Culture: The Problem with being Public’ in D. Marquand, A. Seldon (eds), The Ideas that Shaped Post-War Britain (London, 1996), p.207; Cmnd. 2601. paras.49, 99; House of Commons Debates, 27 April 1965, cols.294–295.Google Scholar
  26. May Day Concert message, JL 2/2/2/1; Goodman, Not for the Record (London, 1972), p.144; NAA, Annual Report (1965–66), pp.4, 7.Google Scholar
  27. Mervyn Jones, ‘Labour and the Arts’, New Statesman 18 February 1966; Clive Barker, ‘Vintage 42’, Twentieth Century (Winter 1966), p.49; Barker obituary Guardian (19 April 2005).Google Scholar
  28. G. Mulgan, K. Worpole, Saturday Night or Sunday Morning? (London, 1986), pp.28–29.Google Scholar
  29. Political and Economic Planning, ‘Public Patronage of the Arts’, Planning XXXI: 492 (November 1965); Eric White, The Arts Council of Great Britain (London, 1975), pp.72–74.Google Scholar
  30. J. Nuttall, Psychological Socialism: Labour and the Qualities of Mind and Character (Manchester, 2006).CrossRefGoogle Scholar
  31. R.A.B. Butler, ‘Conservatism today and tomorrow’, Swinton College Journal 1:1 (1951); and in general, M. Jarvis, Conservative Governments, Morality and Social Change in Affluent Britain, 1957–64 (Manchester, 2005).Google Scholar
  32. J. Ramsden, The Making of Conservative Party Policy (London, 1980), pp.200–201;Google Scholar
  33. D. Fairbairn, ‘An Approach to Leisure: Conservatism in a Post-Industrial Society’, in Bow Group, Principles in Practice (London 1961), pp.87–88;Google Scholar
  34. R. Carless, P. Brewster (eds), Patronage and the Arts (London, 1959), pp.68–73.Google Scholar
  35. Viscount Eccles, Politics and the Quality of Life (CPC: London, 1970).Google Scholar
  36. C. Patten, ‘Conservatives and the Arts’ (n.d., c.1968), CRD 3/3/2.Google Scholar
  37. Arts Policy Group minutes (7 November 1967, 23 May, 17 June 1968), W.E. Williams, ‘Industry and the Arts’ (May 1968) draft report, pp.34–36, ‘The Arts Council and Government Responsibility for the Arts’ (14 October 1968), pp.2–3, CRD 3/3/2-3.Google Scholar
  38. A. Wesker, The Modern Playwright or O, Mother, Is It Worth It? and Labour and the Arts II: What, Then, is to be Done? (Oxford, 1960, 1961); Wesker, ‘You’re Only Living Half a Life’, ‘Plans for Centre 42’, Tribune (12 February 1960, 28 July 1961);Google Scholar
  39. J. Goldthorpe ‘The Current Inflation: Towards a sociological account’ in J. Goldthorpe, F. Hirsch (eds), The Political Economy of Inflation (Cambridge, MA, 1978), ch.8.Google Scholar
  40. TUC, Annual Conference Report (London, 1960), pp.435–438; Holdsworth-Wesker correspondence, AW (2)5/6 (2nd accession);Google Scholar
  41. A. Wesker, ‘Trade Unions and the arts’, New Left Review 5 (1960), p.67.Google Scholar
  42. Poster, AW 133/1; D. Lessing, ‘A cultural revolution: 1st stage’, C42 management minutes (12 October 1961), AW 147/4-5; Wesker to Wilson (29 June 1964), Wilson to Wesker (1 July 1964), AW 154/8-9.Google Scholar
  43. Henshaw to David Winnick (23 April 1964), AW 133/1; TU journals Press release (14 March 1963), AW 154/4; Lee, Encounter (August 1962), pp.95–96.Google Scholar
  44. R. Hoggart, The Uses of Literacy (Harmondsworth, 1957), p.5;Google Scholar
  45. A. Sinfield, Literature, Politics and Culture in Postwar Britain (London, 1997), p.265, ch.11–12;Google Scholar
  46. J. Vernon, Hunger (Cambridge, MA., 2007), p.261;CrossRefGoogle Scholar
  47. see also G. Mckay, Circular Breathing: The Cultural Politics of Jazz in Post-war Britain (Durham, NC., 2007);Google Scholar
  48. A. Horn, Juke Box Britain (Manchester, 2009).Google Scholar
  49. Sunday Citizen (23 September 1962); Ron Dellar, ‘Centre 42’, New Left Review 11 (1961), p.60.Google Scholar
  50. Itzin, Stages, pp.4–5; also A. Filewod, D. Watt, Workers’ Playtime (Sydney, 2001).Google Scholar
  51. Michael Foster, ‘The Roundhouse’, Architectural Association Quarterly 3:1 (Winter 1971), pp.43–55.Google Scholar
  52. She (October 1971); J. Green, Days in the Life: Voices from the English Underground 1961–71 (London, 1988), p.119; P. Stansill, ‘The life and death of IT’, British Journalism Review 17:4 (2006); Haynes, Interview, Edinburgh, August 2005;Google Scholar
  53. D. Cooper (ed.), The Dialectics of Liberation (Harmondsworth, 1971).Google Scholar
  54. Roundhouse Trust, First Report 1965–71 (1971), pp.27–31, AW 156/5; Melody Maker (7 January 1967); Financial Times (10 January 1967); on UFO, Joe Boyd, White Bicycles (London, 2006).Google Scholar
  55. T. Watts, ‘Jazz’ (n.d.), AW 134/2; Watt, obituary Guardian (30 May 2006); Leslie Ash Lyons to Henshaw (9 May 1964), AW 134/7; Bernard in J. Gorman, Knocking Down Ginger (London, 1995), p.121; Sinfield, Literature, Politics and Culture, p.265.Google Scholar
  56. C. Barker, ‘Final Exploratory report of films working party’ (20 August 1961); Wesker to Balcon (9 June 1962), to Richardson (26 June 1962), AW 134/3.Google Scholar
  57. Allio Brief (28 August 1964), AW 133/7, Reproduced in Wesker, Fears of Fragmentation; Allio, ‘C42: Model and designs of the Roundhouse’ (1965), AW 141/4.Google Scholar
  58. Feather to Wesker (28 April 1964), AW 154/9; V. Feather, The Essence of Trade Unionism (London, 1963), p.124; Reed to Wesker (27 April 1962), AW 137/3; See Feather ‘Out in the Cold, Cold, Snow’, Labour Organiser (July 1954); Feather to Wesker (12 March 1962), Hoskins-Feather lunch (13 November 1963), AW 160/6; Feather, Arts North (December 1970).Google Scholar
  59. ‘Vision! Vision! Mr Woodcock’, New Statesman (30 July 1960); TUC, Congress House at Fifty (TUC: London, 2004); Observer (14 July 1963); Coppieters, ‘Arnold Wesker’s’, p.47.Google Scholar
  60. Lavrin to Law (12 October 1962), AW 155/2; H. Carpenter, That Was Satire That Was (London, 2000), p.153; C42 Council of Management (20 July 1961), AW 136/8.Google Scholar
  61. Wesker to Lennon (18, 26 May 1965), AW 144/6-7; Lennon, Daily Mail (21 July 1965); Lessing to Wesker (n.d., c. June 1961), AW 136/8.Google Scholar
  62. P. Hollis, Jennie Lee (Oxford, 1997), ch.9; Lee (22 December 1964), Wilson (6 January 1965) to Wesker; Lee to Hoskins (31 May 1967), AW 146/10; Lee to Williams (24 October 1966), Wilson c.872.Google Scholar
  63. Chair Arts and Amenities committee (19 June 1967), Hoskins to Lee (16 May 1967), JL 4/1/2/8; Williams to Wilson (2 June 1967), Ben Whitaker MP to Williams (12 June 1967), Wilson, c.872; Wesker, As Much as I Dare (London, 1994 edition), p.42.Google Scholar
  64. Birmingham Post (23 October 1962); Birmingham Trades Council Annual Report, 1962–3, p.11, BRO 32080/tc2/2/1; J. Corbett, The Birmingham Trades Council 1866–1966 (London, 1966), p.166; M. Rutherford, ‘Cultural Collage’, Spectator (21 September 1962);Google Scholar
  65. Jones, Observer (16 September 1962).Google Scholar
  66. J. Preston, Kings of the Roundhouse (London, 2005), chs.1–3; Guardian (12 December 1995).Google Scholar
  67. R. Samuel, ‘Born-again socialism’, M. Rustin, ‘The New Left as a social movement’, in Oxford University Socialist Discussion Group, Out of Apathy, pp.51–52, 123–127; L. Robinson, ‘Three revolutionary years: the impact of the counterculture on the development of the gay liberation movement in Britain’, Cultural and Social History 3:4 (2006); J. Curran, I. Gaber, J. Petley, Culture Wars (Edinburgh, 2005), ch.1.Google Scholar
  68. A. Sinclair, Arts and Cultures (London, 1995), pp.147, 150; Elyashiv to Hoskins (21 January 1968), AW 137/4.Google Scholar

Arnold Wesker's The Kitchen Pdf Creator

Arnold Wesker The Kitchen Pdf Editor. 5/11/2017 0 Comments Foreign Exchange Option. Money Management. In finance, a foreign exchange option (commonly shortened to just FX option or currency option) is a derivative financial instrument that gives the right but not the obligation to exchange money denominated in one currency into another currency. Trilogy (Arnold Wesker) PDF Kindle A Novel Book also available for Read Online, mobi, docx and mobile and kindle reading. PDF Trilogy (Arnold Wesker) ePub Download Book in PDF, EPUB and MOBI for Free. Arnold Wesker's performs, written over a interval of greater than fifty years, provide actors, female and male, a awesome resource of monologues protecting issues corresponding to friendship, demise, previous age, political disillusion, failed love, and self discovery fuelled through feelings ranging via anger, pleasure, wish, worry, outrage, love, bewilderment, guilt, and comedian irony.

Arnold Wesker The Kitchen Pdf Creator Online

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Arnold Wesker Batman

  1. R. Inglehart, Culture Shift in Advanced Industrial Society (Princeton, NJ, 1990), p.335;Google Scholar
  2. also M. Veldman, Fantasy, the Bomb and Greening of Britain, 1945–80 (Cambridge, 1994).Google Scholar
  3. F. Coppieters, ‘Arnold Wesker’s Centre Fortytwo: a cultural revolution betrayed’, Theatre Quarterly 5:18 (1975), p.51;Google Scholar
  4. A. Marwick, The Sixties (Oxford, 1998), p.343.Google Scholar
  5. D.A.N. Jones, ‘Politics in the Theatre’, Times Literary Supplement (22 July 1967); D. Thomas, D. Carlton, A. Etienne, Theatre Censorship: From Walpole to Wilson (Oxford, 2007).CrossRefGoogle Scholar
  6. A. Davies, Other Theatres: The Development of Alternative and Experimental Theatre in Britain (Basingstoke, 1987);CrossRefGoogle Scholar
  7. C. Itzin, Stages in the Revolution: Political Theatre in Britain Since 1968 (London, 1979);Google Scholar
  8. D. Shellard, British Theatre Since the War (New Haven, CT, 2000), ch.4.Google Scholar
  9. Carl Foreman (Open Road films) to Wesker (19 November 1963), AW 134/3; A. Wesker, Fears of Fragmentation (London, 1970), pp.103–104; Wesker to Goodman (11 October 1965), AW 144/11.Google Scholar
  10. Founding Meeting, CO100 AW, 119/1; Wesker to John Papworth (22 February 1962), AW 119/2; A. Wesker, As Much as I Dare (London, 1995), pp.610, 619; Daily Express (16 September 1961).Google Scholar
  11. Jeremy Hawthorne, ‘Wesker: The Last Season?’, Mainstream (October 1965); Wesker’s riposte, Daily Worker (3 February 1966); A. Wesker, ‘Aie Cuba! Aie Cuba!’ in The New Man in Cuba (British-Cuba Association, Nov. 1969), pp.15, 21; Levin, Daily Mail (25 March 1970);Google Scholar
  12. R. Williams (ed.), May Day Manifesto 1968 (Harmondsworth, 1968), pp.9–10.Google Scholar
  13. Sunday Times (28 December 1969); M. Page, ‘Whatever happened to Arnold Wesker?’, Modern Drama 11 (1968); M. Patterson, Strategies of Political Theatre: Post-war British Playwrights (Cambridge, 2003), ch.2.CrossRefGoogle Scholar
  14. ‘Experts prepare for an age of culture’, Sunday Times (25 November 1962); S. Hall, P. Whannel, The Popular Arts (London, 1964), p.379; The Warning Voice, Mark Abrams papers Box 70, File ‘Leisure 1956–67 2/2’;Google Scholar
  15. N. Shrapnel, ‘Parsimony and Puritanism’, in A New Britain (Guardian, 1963), pp.61–66.Google Scholar
  16. Labour Party Annual Conference Report (1963), p.135; DEA, NA EW23/50; Society of Industrial Artists and Designers, ACGB papers (ACGB) 62/76; A Policy for the Arts: The First Steps (Cmnd. 2601, 1965), paras. 66, 71; I.P. Henry, The Politics of Leisure Policy (Basingstoke, 2001), pp.19–22.Google Scholar
  17. L. Chun, The British New Left (Edinburgh, 1993), pp.60–64;Google Scholar
  18. M. Rustin, ‘The New Left as a social movement’, in Oxford University Socialist Discussion Group (eds), Out of Apathy (London, 1989), pp.121–127;Google Scholar
  19. D. Dworkin Cultural Marxism (Durham, NC, 1997).Google Scholar
  20. J. Green, All Dressed Up (London, 1998), pp.239–244; Williams, May Day Manifesto;Google Scholar
  21. L. Black, ‘Arts and crafts: social democracy’s cultural resources and repertoire in 1960s’ Britain’, in I. Favretto, J. Callaghan (eds), Transitions in Social Democracy (Manchester, 2007).Google Scholar
  22. B. Conekin, The Autobiography of a Nation: The 1951 Festival of Britain (Manchester, 2003).Google Scholar
  23. C. Gray, The Politics of the Arts (Basingstoke, 2000), pp.47–51;Google Scholar
  24. Martin Priestman, ‘A Critical Stage: Drama in the 1960s’, in Bart Moore-Gilbert, John Seed (eds), Cultural Revolution? The Challenge of the Arts in the 1960s (London, 1992), p.122.Google Scholar
  25. Goodman in Geoff Mulgan, ‘Culture: The Problem with being Public’ in D. Marquand, A. Seldon (eds), The Ideas that Shaped Post-War Britain (London, 1996), p.207; Cmnd. 2601. paras.49, 99; House of Commons Debates, 27 April 1965, cols.294–295.Google Scholar
  26. May Day Concert message, JL 2/2/2/1; Goodman, Not for the Record (London, 1972), p.144; NAA, Annual Report (1965–66), pp.4, 7.Google Scholar
  27. Mervyn Jones, ‘Labour and the Arts’, New Statesman 18 February 1966; Clive Barker, ‘Vintage 42’, Twentieth Century (Winter 1966), p.49; Barker obituary Guardian (19 April 2005).Google Scholar
  28. G. Mulgan, K. Worpole, Saturday Night or Sunday Morning? (London, 1986), pp.28–29.Google Scholar
  29. Political and Economic Planning, ‘Public Patronage of the Arts’, Planning XXXI: 492 (November 1965); Eric White, The Arts Council of Great Britain (London, 1975), pp.72–74.Google Scholar
  30. J. Nuttall, Psychological Socialism: Labour and the Qualities of Mind and Character (Manchester, 2006).CrossRefGoogle Scholar
  31. R.A.B. Butler, ‘Conservatism today and tomorrow’, Swinton College Journal 1:1 (1951); and in general, M. Jarvis, Conservative Governments, Morality and Social Change in Affluent Britain, 1957–64 (Manchester, 2005).Google Scholar
  32. J. Ramsden, The Making of Conservative Party Policy (London, 1980), pp.200–201;Google Scholar
  33. D. Fairbairn, ‘An Approach to Leisure: Conservatism in a Post-Industrial Society’, in Bow Group, Principles in Practice (London 1961), pp.87–88;Google Scholar
  34. R. Carless, P. Brewster (eds), Patronage and the Arts (London, 1959), pp.68–73.Google Scholar
  35. Viscount Eccles, Politics and the Quality of Life (CPC: London, 1970).Google Scholar
  36. C. Patten, ‘Conservatives and the Arts’ (n.d., c.1968), CRD 3/3/2.Google Scholar
  37. Arts Policy Group minutes (7 November 1967, 23 May, 17 June 1968), W.E. Williams, ‘Industry and the Arts’ (May 1968) draft report, pp.34–36, ‘The Arts Council and Government Responsibility for the Arts’ (14 October 1968), pp.2–3, CRD 3/3/2-3.Google Scholar
  38. A. Wesker, The Modern Playwright or O, Mother, Is It Worth It? and Labour and the Arts II: What, Then, is to be Done? (Oxford, 1960, 1961); Wesker, ‘You’re Only Living Half a Life’, ‘Plans for Centre 42’, Tribune (12 February 1960, 28 July 1961);Google Scholar
  39. J. Goldthorpe ‘The Current Inflation: Towards a sociological account’ in J. Goldthorpe, F. Hirsch (eds), The Political Economy of Inflation (Cambridge, MA, 1978), ch.8.Google Scholar
  40. TUC, Annual Conference Report (London, 1960), pp.435–438; Holdsworth-Wesker correspondence, AW (2)5/6 (2nd accession);Google Scholar
  41. A. Wesker, ‘Trade Unions and the arts’, New Left Review 5 (1960), p.67.Google Scholar
  42. Poster, AW 133/1; D. Lessing, ‘A cultural revolution: 1st stage’, C42 management minutes (12 October 1961), AW 147/4-5; Wesker to Wilson (29 June 1964), Wilson to Wesker (1 July 1964), AW 154/8-9.Google Scholar
  43. Henshaw to David Winnick (23 April 1964), AW 133/1; TU journals Press release (14 March 1963), AW 154/4; Lee, Encounter (August 1962), pp.95–96.Google Scholar
  44. R. Hoggart, The Uses of Literacy (Harmondsworth, 1957), p.5;Google Scholar
  45. A. Sinfield, Literature, Politics and Culture in Postwar Britain (London, 1997), p.265, ch.11–12;Google Scholar
  46. J. Vernon, Hunger (Cambridge, MA., 2007), p.261;CrossRefGoogle Scholar
  47. see also G. Mckay, Circular Breathing: The Cultural Politics of Jazz in Post-war Britain (Durham, NC., 2007);Google Scholar
  48. A. Horn, Juke Box Britain (Manchester, 2009).Google Scholar
  49. Sunday Citizen (23 September 1962); Ron Dellar, ‘Centre 42’, New Left Review 11 (1961), p.60.Google Scholar
  50. Itzin, Stages, pp.4–5; also A. Filewod, D. Watt, Workers’ Playtime (Sydney, 2001).Google Scholar
  51. Michael Foster, ‘The Roundhouse’, Architectural Association Quarterly 3:1 (Winter 1971), pp.43–55.Google Scholar
  52. She (October 1971); J. Green, Days in the Life: Voices from the English Underground 1961–71 (London, 1988), p.119; P. Stansill, ‘The life and death of IT’, British Journalism Review 17:4 (2006); Haynes, Interview, Edinburgh, August 2005;Google Scholar
  53. D. Cooper (ed.), The Dialectics of Liberation (Harmondsworth, 1971).Google Scholar
  54. Roundhouse Trust, First Report 1965–71 (1971), pp.27–31, AW 156/5; Melody Maker (7 January 1967); Financial Times (10 January 1967); on UFO, Joe Boyd, White Bicycles (London, 2006).Google Scholar
  55. T. Watts, ‘Jazz’ (n.d.), AW 134/2; Watt, obituary Guardian (30 May 2006); Leslie Ash Lyons to Henshaw (9 May 1964), AW 134/7; Bernard in J. Gorman, Knocking Down Ginger (London, 1995), p.121; Sinfield, Literature, Politics and Culture, p.265.Google Scholar
  56. C. Barker, ‘Final Exploratory report of films working party’ (20 August 1961); Wesker to Balcon (9 June 1962), to Richardson (26 June 1962), AW 134/3.Google Scholar
  57. Allio Brief (28 August 1964), AW 133/7, Reproduced in Wesker, Fears of Fragmentation; Allio, ‘C42: Model and designs of the Roundhouse’ (1965), AW 141/4.Google Scholar
  58. Feather to Wesker (28 April 1964), AW 154/9; V. Feather, The Essence of Trade Unionism (London, 1963), p.124; Reed to Wesker (27 April 1962), AW 137/3; See Feather ‘Out in the Cold, Cold, Snow’, Labour Organiser (July 1954); Feather to Wesker (12 March 1962), Hoskins-Feather lunch (13 November 1963), AW 160/6; Feather, Arts North (December 1970).Google Scholar
  59. ‘Vision! Vision! Mr Woodcock’, New Statesman (30 July 1960); TUC, Congress House at Fifty (TUC: London, 2004); Observer (14 July 1963); Coppieters, ‘Arnold Wesker’s’, p.47.Google Scholar
  60. Lavrin to Law (12 October 1962), AW 155/2; H. Carpenter, That Was Satire That Was (London, 2000), p.153; C42 Council of Management (20 July 1961), AW 136/8.Google Scholar
  61. Wesker to Lennon (18, 26 May 1965), AW 144/6-7; Lennon, Daily Mail (21 July 1965); Lessing to Wesker (n.d., c. June 1961), AW 136/8.Google Scholar
  62. P. Hollis, Jennie Lee (Oxford, 1997), ch.9; Lee (22 December 1964), Wilson (6 January 1965) to Wesker; Lee to Hoskins (31 May 1967), AW 146/10; Lee to Williams (24 October 1966), Wilson c.872.Google Scholar
  63. Chair Arts and Amenities committee (19 June 1967), Hoskins to Lee (16 May 1967), JL 4/1/2/8; Williams to Wilson (2 June 1967), Ben Whitaker MP to Williams (12 June 1967), Wilson, c.872; Wesker, As Much as I Dare (London, 1994 edition), p.42.Google Scholar
  64. Birmingham Post (23 October 1962); Birmingham Trades Council Annual Report, 1962–3, p.11, BRO 32080/tc2/2/1; J. Corbett, The Birmingham Trades Council 1866–1966 (London, 1966), p.166; M. Rutherford, ‘Cultural Collage’, Spectator (21 September 1962);Google Scholar
  65. Jones, Observer (16 September 1962).Google Scholar
  66. J. Preston, Kings of the Roundhouse (London, 2005), chs.1–3; Guardian (12 December 1995).Google Scholar
  67. R. Samuel, ‘Born-again socialism’, M. Rustin, ‘The New Left as a social movement’, in Oxford University Socialist Discussion Group, Out of Apathy, pp.51–52, 123–127; L. Robinson, ‘Three revolutionary years: the impact of the counterculture on the development of the gay liberation movement in Britain’, Cultural and Social History 3:4 (2006); J. Curran, I. Gaber, J. Petley, Culture Wars (Edinburgh, 2005), ch.1.Google Scholar
  68. A. Sinclair, Arts and Cultures (London, 1995), pp.147, 150; Elyashiv to Hoskins (21 January 1968), AW 137/4.Google Scholar